Really enjoying my big painting now. Lots of unseen things happening make those things that are seen pop more, and the whole work well even if it seems a little sparse to me right now.
The question is always how to know when to stop, and if it seems too soon do you honor that? I believe I'll just set it aside after tonight and revisit in a few days to see.
Saturday, March 24, 2012
Sunday, March 11, 2012
G
It suddenly occurred to me what I need to do with my art to bring it to the next level. (Yeah, you know the level of which I speak.) In a certain aspect, this thing is sort of antithetical to my general aesthetic. But, what are you going to do?
Or will I?
Or will I?
Tuesday, March 6, 2012
F
I love the fact that being overcautious is a built in variable for my process.
If I'm nervous, I affect the painting lightly for a while. Was about to lay down some color a couple days ago, and thought the pigment might be too strong, so I diluted it by half.
Did my work and by the time it dried I could barely see it. Nevertheless, through a type of accretion the painting starts taking its direction, and even though the marks are hard to see they will still influence everything that comes after.
If I'm nervous, I affect the painting lightly for a while. Was about to lay down some color a couple days ago, and thought the pigment might be too strong, so I diluted it by half.
Did my work and by the time it dried I could barely see it. Nevertheless, through a type of accretion the painting starts taking its direction, and even though the marks are hard to see they will still influence everything that comes after.
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